EMA standards.

My dream is to follow the Environmental Meda Awards Green Seal.

these are the guidlines the film will follow.

“EMA Green Seal” Award Checklist for Productions

• Use paints, sealants and lacquers that are low-emission (low VOC) and less toxic.
  
  
• Lease Hybrid and/or Electric vehicles for the production when possible. Request that traditional transport vehicles not idle.
  
  
• Use nontoxic cleaning products and buy unbleached, high recycled content items for production offices (paper towels, plates, cups; office paper, pencils; t-shirts).
  
  
• Reuse when possible and donate unwanted production materials and supplies. (sets, paints, props, office products, etc.).
  
  
• Recycle production office materials. (paper, plastics, glass, cans, cardboard, wood; VHS, Digital Betacams, DVDs, etc.).
  
  
• Make sure food/beverage suppliers & caterers provide reusable, recyclable and/or biodegradable serving products, instead of Styrofoam.
  
  
• Other (ie: use digital dailies, email script revisions; offset film’s carbon dioxide emissions, improve filming sites, etc.).

~~I imagined the extractors wearing gas masks. When doing some research on stock footage, I came across the Getty Museum images. One that scared me was of this man wearing a gas mask. Plus, this might reiterate the fact that they cannot really survive normally on Earth anymore. Another thing, I imagine the sucking devices to be like compact backpack vacuums.~~

~~The image of the doors closing is a shot I imagine at the end. I would like to see the doors close on Peter and John into blackness. Then from the black, stars slowly appear, we pan down and left to reveal the dying Earth. Then the SS: Humanity flies across the screen!~~

~~I imagine the examination room to be open white space; very minimalistic!~~

~~The last image is when Peter is being pursued in the ally. He hides in this storm drain and this is where he watches his mother die. ~~

Some changes and ideas for the script. I watched Journey to the Center of the Earth (3D). I know... sounds cheesy, I know. However, I was really touched with how they communicated the human experience through objects that the dead father had left his son. It was a very touching moment when they read from the father' s journal. This inspired me to go back and change some dialogue in the script. Goal: finish this Friday!

Peter's World

This is what I would like the city to look like. Burning building, a huge mess of remaining houses. There is a fantastic panoramic window located in the house where I would like to shoot the film. This would be an amazing shot to reveal Peter's world.

script changes

Some things are changing in draft 5 of SS: Humanity. I am dropping all of the scenes with sci-fi cars, making Alta stay on Earth because of a disease (she still dies at the end though), and tightening the FX shots up. The wonderful Marcus Kaye has reviewed the script and we decided on some new things for the script and costumes at Starbucks.

Tonight is a date with the lovely producer Stephanie, to get things kick started and start thinking about pre-production.

first drawings...

Concepts for hologram kitchen, the extractor's blood-sucking backpack, Peter's bedroom hologram wall, and Peter's stuffed animal.

Humanity

this blog is dedicated to the senior thesis SS: Humanity. The story is about a boy who is forced to face the harsh realities of leaving planet Earth because it has been destroyed by war, global warming, and natural disasters. Key Crew~ Producer: Stephanie Altishion; Director: Matthew Ladensack; DP: Kyle Bjordahl; Production Designer: Katy Echols; Costumes: Marcus Kaye Editor: Anthony Berk; Assistant Director: Elaine Ackley; Camera Crew: Rachael Loftis. The goal of this production is to make an amazing narrative while completing the project being environmentally conscious in every aspect possible. Check Out: http://www.facebook.com/group.php?gid=22037170215&ref=ts